{"id":3535,"date":"2017-03-30T12:40:44","date_gmt":"2017-03-30T03:40:44","guid":{"rendered":"http:\/\/www.mat-nagoya.jp\/?p=3535"},"modified":"2023-08-08T16:31:04","modified_gmt":"2023-08-08T07:31:04","slug":"mat-exhibition-vol-1-%e3%83%9a%e3%83%bc%e3%82%bf%e3%83%bc%e3%83%bb%e3%83%95%e3%82%a3%e3%83%83%e3%82%b7%e3%83%a5%e3%83%aa%ef%bc%8f%e3%83%80%e3%83%b4%e3%82%a3%e3%83%83%e3%83%89%e3%83%bb%e3%83%b4","status":"publish","type":"post","link":"https:\/\/www.mat-nagoya.jp\/en\/archive_exhibition\/3535.html","title":{"rendered":"THE BEGINNINGS (or Open-Ended) Part2"},"content":{"rendered":"<p><a href=\"http:\/\/www.mat-nagoya.jp\/wp\/wp-content\/uploads\/2016\/02\/part2-01.jpg\" data-rel=\"lightbox-gallery-ew1BxMqs\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-795\" src=\"http:\/\/www.mat-nagoya.jp\/wp\/wp-content\/uploads\/2016\/02\/part2-01.jpg\" alt=\"Part2\" width=\"700\" height=\"auto\" srcset=\"https:\/\/www.mat-nagoya.jp\/wp\/wp-content\/uploads\/2016\/02\/part2-01.jpg 2917w, https:\/\/www.mat-nagoya.jp\/wp\/wp-content\/uploads\/2016\/02\/part2-01-300x213.jpg 300w, https:\/\/www.mat-nagoya.jp\/wp\/wp-content\/uploads\/2016\/02\/part2-01-1024x728.jpg 1024w\" sizes=\"(max-width: 2917px) 100vw, 2917px\" \/><\/a><br \/>\nTHE BEGINNINGS (or Open-Ended) Part2<br \/>\n<strong><a href=\"http:\/\/www.mat-nagoya.jp\/en\/archive_exhibition\/3520.html\" target=\"_blank\" rel=\"noopener\">\u300cTHE BEGINNINGS (or Open-Ended)\u300dPart1 from here<\/a><\/strong><\/p>\n<div class=\"project_st02\">Exhibitor Artists<\/div>\n<p><strong>Peter Fischli \/ David Weiss, Yuko Mohri<\/strong><\/p>\n<div class=\"project_st02\">Guest Curator<\/div>\n<p><strong>Shihoko Iida<\/strong><\/p>\n<div class=\"project_st02\">Report<\/div>\n<p>The grand opening exhibition of MAT, Nagoya with a guest curator Shihoko Iida consists of two parts. While Peter Fischli \/ David Weiss\u2019 masterpiece The Way Things Go (1986-87) was exhibited throughout the exhibition period, Ofuna Flower Center (2011- ) by Yuko Mohri which the artist has worked on from time to time previously was exhibited in the first part. For the second part, Mohri stayed in Nagoya for a half year doing some research to work on the new pieces Pleated images and fort-da in response to The Way Things Go.<br \/>\nMohri, who has started her career as an artist since her exhibition held at artport* in 2003, worked on the new piece using the network she built among the Tokai region back then, together with a new team and methods she ran across this time. We MAT, Nagoya also realized the significance to support artists by such project with several phases that enables them to work on aspiring new works. It also should be noted that both works by Fischli \/ Weiss and Mohri that show sequences of movements matched perfectly with the grand opening exhibition, as the sequence evokes the beginning of MAT, Nagoya to be developed and spread out over time.<\/p>\n<p><small>*artport<br \/>\nArtport was a project to utilize former-warehouses in the East area of Port of Nagoya Garden Wharf as a studio for local residents and artists from 1999 to 2003.<\/small><\/p>\n<p><a href=\"http:\/\/www.mat-nagoya.jp\/wp\/wp-content\/uploads\/2017\/03\/MATex2_MouriL-03_3323.jpg\" data-rel=\"lightbox-gallery-ew1BxMqs\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-353\" src=\"http:\/\/www.mat-nagoya.jp\/wp\/wp-content\/uploads\/2017\/03\/MATex2_MouriL-03_3323.jpg\" alt=\"Part1\" width=\"700\" height=\"auto\" \/><\/a><\/p>\n<div class=\"project_st08 clearfix\">\n<div class=\"left\"><a href=\"http:\/\/www.mat-nagoya.jp\/wp\/wp-content\/uploads\/2017\/03\/MATex2_MouriL-35_3543.jpg\" data-rel=\"lightbox-gallery-ew1BxMqs\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-large wp-image-2434\" src=\"http:\/\/www.mat-nagoya.jp\/wp\/wp-content\/uploads\/2017\/03\/MATex2_MouriL-35_3543.jpg\" alt=\"\" width=\"\" height=\"auto\" \/><\/a><\/div>\n<div class=\"center\"><a href=\"http:\/\/www.mat-nagoya.jp\/wp\/wp-content\/uploads\/2017\/03\/MATex2_MouriL-13_3383.jpg\" data-rel=\"lightbox-gallery-ew1BxMqs\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-large wp-image-2434\" src=\"http:\/\/www.mat-nagoya.jp\/wp\/wp-content\/uploads\/2017\/03\/MATex2_MouriL-13_3383.jpg\" alt=\"\" width=\"\" height=\"auto\" \/><\/a><\/div>\n<div class=\"right\"><a href=\"http:\/\/www.mat-nagoya.jp\/wp\/wp-content\/uploads\/2017\/03\/MATex2_MouriL-21_3437.jpg\" data-rel=\"lightbox-gallery-ew1BxMqs\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-large wp-image-2432\" src=\"http:\/\/www.mat-nagoya.jp\/wp\/wp-content\/uploads\/2017\/03\/MATex2_MouriL-21_3437.jpg\" alt=\"\" width=\"\" height=\"auto\" \/><\/a><\/div>\n<\/div>\n<div class=\"project_st08 clearfix\">\n<div class=\"left\"><a href=\"http:\/\/www.mat-nagoya.jp\/wp\/wp-content\/uploads\/2017\/03\/MATex2_MouriL-55_3663.jpg\" data-rel=\"lightbox-gallery-ew1BxMqs\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-large wp-image-2434\" src=\"http:\/\/www.mat-nagoya.jp\/wp\/wp-content\/uploads\/2017\/03\/MATex2_MouriL-55_3663.jpg\" alt=\"\" width=\"\" height=\"auto\" \/><\/a><\/div>\n<div class=\"center\"><a href=\"http:\/\/www.mat-nagoya.jp\/wp\/wp-content\/uploads\/2017\/03\/MATex2_MouriL-42_3584.jpg\" data-rel=\"lightbox-gallery-ew1BxMqs\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-large wp-image-2434\" src=\"http:\/\/www.mat-nagoya.jp\/wp\/wp-content\/uploads\/2017\/03\/MATex2_MouriL-42_3584.jpg\" alt=\"\" width=\"\" height=\"auto\" \/><\/a><\/div>\n<div class=\"right\"><a href=\"http:\/\/www.mat-nagoya.jp\/wp\/wp-content\/uploads\/2017\/03\/MATex2_MouriL-29_3499.jpg\" data-rel=\"lightbox-gallery-ew1BxMqs\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-large wp-image-2432\" src=\"http:\/\/www.mat-nagoya.jp\/wp\/wp-content\/uploads\/2017\/03\/MATex2_MouriL-29_3499.jpg\" alt=\"\" width=\"\" height=\"auto\" \/><\/a><\/div>\n<\/div>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/vbJTAXUH3DI\" width=\"700\" height=\"420\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div align=\"right\"><small>Exhibition Photography \/ Documentary Videography | Ryohei Tomita<\/small><\/div>\n<div class=\"project_st03\">\u300cTHE BEGINNINGS (or Open-Ended)\u300dPart2 Related Events<\/div>\n<div class=\"project_st02\"><strong>Gallery Talk: Yuko Mohri<\/strong><\/div>\n<p>Saturday 27 February 2016<br \/>\n14:00\u201316:00<br \/>\nVenue | Minatomachi POTLUCK BUILDING 3F: Exhibition Space<br \/>\nVisitors | 15<\/p>\n<p>Mohri talked about her latest work just completed over the second part, introducing her ideas and making process.<\/p>\n<div class=\"project_st02\"><strong>Closing Talk<\/strong><\/div>\n<p>Sunday 27 March 2016<br \/>\n14:00\u201316:00<br \/>\nVenue | Minatomachi POTLUCK BUILDING 1F: Lounge Space<br \/>\nSpeakers | Yuko Mohri, Shihoko Iida<br \/>\nVisitors | 32<\/p>\n<p>Mohri and Iida looked back on the exhibition with some slides.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>THE BEGINNINGS (or Open-Ended) Part2 \u300cTHE BEGINNINGS (or Open-Ended)\u300dPart1 from here Exhibitor Artists Peter Fischli \/ David Weiss, Yuko Mohri Guest Curator Shihoko Iida Report The grand opening exhibition of MAT, Nagoya with a guest curator Shihoko Iida consists of two parts. While Peter Fischli \/ David Weiss\u2019 masterpiece The Way Things Go (1986-87) was [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":795,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_locale":"en_US","_original_post":"751","footnotes":"","_links_to":"","_links_to_target":""},"categories":[7],"tags":[19],"class_list":["post-3535","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive_exhibition","tag-19","en-US","archive_exhibition"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.mat-nagoya.jp\/wp-json\/wp\/v2\/posts\/3535","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mat-nagoya.jp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mat-nagoya.jp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mat-nagoya.jp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mat-nagoya.jp\/wp-json\/wp\/v2\/comments?post=3535"}],"version-history":[{"count":18,"href":"https:\/\/www.mat-nagoya.jp\/wp-json\/wp\/v2\/posts\/3535\/revisions"}],"predecessor-version":[{"id":10756,"href":"https:\/\/www.mat-nagoya.jp\/wp-json\/wp\/v2\/posts\/3535\/revisions\/10756"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mat-nagoya.jp\/wp-json\/wp\/v2\/media\/795"}],"wp:attachment":[{"href":"https:\/\/www.mat-nagoya.jp\/wp-json\/wp\/v2\/media?parent=3535"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mat-nagoya.jp\/wp-json\/wp\/v2\/categories?post=3535"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mat-nagoya.jp\/wp-json\/wp\/v2\/tags?post=3535"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}